To coordinate this intricate multi-location shooting schedule with my school schedule was very complicated.
Sometimes, one of the members of the crew would pick me up from my house, take me to the location where we were filming in the morning, I would attend school for a half day, and then I would be picked up again from school and escorted back to the location, where we worked late into the night. Well it was not easy, that's for damn sure, and my grades suffered. Even though the director tried extremely hard to make sure I did not miss too many hours of class.
Working and preforming in front of a crew of twenty two people
might appear stressful but it isn't, you get used to it.
Shown here are the dolly tracts, and the camera mount for a slow zoom.
It's thrilling to go on a location in a place that's not home, and sleep somewhere else other then your familiar bed, well, that's what I did when I went to Normandy with the crew. Of course I was a bit homesick.
Film making is a collaborative process. Every single person's job must be executed well, and in a coordinated fashion otherwise there is no movie. For example, the people that lay down the dolly, which is the thing that looks like train tracks that the camera man uses to roll the camera on, could do this faster then their own shadows. If there was a problem with the lights the technician, who we called the light god, would come and fix any lamp before we could blink an eye. This, crew, was, amazing! All the things they had to think about and coordinate, wow! All I had to do was rehearse, remember my lines, and act. It was very rewarding to be part of the bigger picture, each of us doing our part.
I learned a lot. I got to observe first hand what it actually takes to make a movie. Now when I watch films I am seeing them with a deeper understanding and appreciation of what is really involved.
I was very lucky to work with such a good crew. This is an experience I shall never forget.